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Abstract
Anthropologies of late modernity (also called postmodernity, postindustrial society, knowledge society, or information society) provide a number of stimulating challenges for all levels of social, cultural, and psychological theory, as well as for ethnographic and other genres of anthropological writing. Three key overlapping arenas of attention are the centrality of science and technology; decolonization, postcolonialism, and the reconstruction of societies after social trauma; and the role of the new electronic and visual media. The most important challenges of contemporary ethnographic practice include more than merely (a) the techniques of multilocale or multisited ethnography for strategically accessing different points in broadly spread processes, (b) the techniques of multivocal or multiaudience-addressed texts for mapping and acknowledging with greater precision the situatedness of knowledge, (c) the reworking of traditional notions of comparative work for a world that is increasingly aware of difference, and (d) acknowledging that anthropological representations are interventions within a stream of representations, mediations, and unequally inflected discourses competing for hegemonic control. Of equal importance are the challenges of juxtaposing, complementing, or supplementing other genres of writing, working with historians, literary theorists, media critics, novelists, investigative or in-depth journalists, writers of insider accounts (e.g. autobiographers, scientists writing for the public), photographers and film makers, and others.